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The so-called "Council of Three," a group issuing manifestoes in LEF, a radical Russian newsmagazine, was established in 1922; the group's "three" were Vertov, his (future) wife and editor Elizaveta Svilova, and his brother and cinematographer Mikhail Kaufman.Vertov's interest in machinery led to a curiosity about the mechanical basis of cinema.In 1922, the year that Nanook of the North was released, Vertov started the Kino-Pravda series.The series took its title from the official government newspaper Pravda.
In 1916-1917 Vertov was studying medicine at the Psychoneurological Institute in Saint Petersburg and experimenting with "sound collages" in his free time.He eventually adopted the name "Dziga Vertov", which translates loosely from Ukrainian as 'spinning top'.Vertov is known for many early writings, mainly while still in school, that focus on the individual versus the perceptive nature of the camera lens, which he was known to call his "second eye".Most of Vertov's early work was unpublished, and few manuscripts remain after the Second World War, though some material survived in later films and documentaries created by Vertov and his brothers, Boris Kaufman and Mikhail Kaufman.Vertov is also known for quotes on perception, and its ineffability, in relation to the nature of qualia (sensory experiences)., the Moscow Cinema Committee's weekly film series, and the first newsreel series in Russia), which first came out in June 1918.
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While working for Kino-Nedelya he met his future wife, the film director and editor, Elizaveta Svilova, who at the time was working as an editor at Goskino.